Before their films reached Cannes, Berlin, Venice or Sundance, these filmmakers went through labs, pitched at markets and won small grants. Here is what helped, so you can see where to start.
A pattern worth copying: most started with a lab or a small development grant (often €10,000 or less), then a co-production market, then a post-production fund. Very few were financed by a single source.
India
All We Imagine as Light
2024Grand Prix, Cannes 2024. Mostly European public funding.
India
Girls Will Be Girls
2024Two awards at Sundance 2024.
India
Writing With Fire
2021Two Sundance awards in 2021; Oscar-nominated.
India
The Lunchbox
2013The Lunchbox premiered in Critics' Week, Cannes 2013.
India / UK
Santosh
2024Un Certain Regard, Cannes 2024; UK's Oscar entry.
India
All That Breathes
2022Sundance Grand Jury Prize and Cannes L'Œil d'or 2022; Oscar-nominated.
India
Court
2014Court won Venice's Lion of the Future; The Disciple competed at Venice 2020.
India
Rapture (Rimdogittanga)
2023Garo-language feature from Meghalaya; Locarno's Cineasti del Presente 2023.
India
Second Chance
2024Debut feature; Proxima competition at Karlovy Vary 2024.
India
Pebbles (Koozhangal)
2021A first feature that won the Tiger Award at IFFR 2021 and was India's Oscar entry.
India
Eeb Allay Ooo!
2019Won the Golden Gateway at MAMI 2019; Berlinale Panorama 2020.
India
Masaan
2015Masaan won two prizes in Un Certain Regard, Cannes 2015. Homebound followed in 2025.
India
Next feature (in development)
2025A documentary-rooted filmmaker backed by the Hubert Bals Fund three times.
India
Soni
2018Venice Orizzonti 2018, made as a 100% Indian production.
India
Anhey Ghorey Da Daan (Alms for a Blind Horse)
2011Venice Orizzonti 2011, produced by NFDC with Mani Kaul as creative producer.
Gathered from public sources: festival and fund pages, trade press and interviews. Each line links to where we found it. These lists are not complete, and some support (private money, broadcasters) is rarely published. Spotted a gap or a mistake? Tell us and we'll fix it.