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What helped them get there

Before their films reached Cannes, Berlin, Venice or Sundance, these filmmakers went through labs, pitched at markets and won small grants. Here is what helped, so you can see where to start.

All · 36India · 16checkRest of Asia · 20

The doors they used most

01

IFFR

Helped 7 of these filmmakers

02

DFI

Helped 7 of these filmmakers

03

Cannes

Helped 4 of these filmmakers

04

BIFF

Helped 4 of these filmmakers

05

CNC

Helped 3 of these filmmakers

06

APSA

Helped 3 of these filmmakers

07

Berlinale

Helped 3 of these filmmakers

08

Netherlands Film Fund

Helped 2 of these filmmakers

A pattern worth copying: most started with a lab or a small development grant (often €10,000 or less), then a co-production market, then a post-production fund. Very few were financed by a single source.

Filmmakers

Yeo Siew Hua

Singapore

A Land Imagined

2018

Golden Leopard, Locarno 2018: the first for Singapore.

  1. LabAutumn Meeting (Vietnam) · 2016 · Grand Prix source
  2. LabAsia Pacific Screen Lab · 2017 source
  3. FundHubert Bals Fund (IFFR) source
  4. FundCNC Aide aux cinémas du monde source
  5. FundNetherlands Film Fund source
  6. LabTorino Film Lab · Audience Design Award source
  7. FundSingapore IMDA New Talent Feature Grant source

Deepak Rauniyar

Nepal

White Sun

2016

White Sun premiered in Venice Orizzonti 2016.

  1. FundDoha Film Institute (Fall Grant 2014) · 2014 source
  2. FundHubert Bals Fund (IFFR) source
  3. MarketCannes Cinéfondation L'Atelier source
  4. LabIFFR Boost! source
  5. FundNetherlands Film Fund source
  6. FundTribeca Film Institute, Jerome Foundation and Bertha Foundation source

Amanda Nell Eu

Malaysia

Tiger Stripes

2023

Critics' Week Grand Prize, Cannes 2023. An eight-country co-production with 21 soft-money sources.

  1. MarketBIFAN NAFF It Project · 2019 · Sitges Pitchbox Award source
  2. FundWorld Cinema Fund (next film) · 2026 source
  3. FundSingapore IMDA Southeast Asia Co-Production Grant source
  4. FundMalaysia's Creative Industry Recovery Grant (Penjana) source
  5. FundCNC, Hubert Bals Fund and Doha Film Institute source

Kim Bora

South Korea

House of Hummingbird

2018

Generation 14plus Grand Prix, Berlinale 2019. Took almost four years to finance.

  1. FundKorean Film Council (KOFIC) source
  2. FundSeoul Film Commission source
  3. FundSundance Institute (partial grant) source
  4. PrizeSeoul International Women's Film Festival pitch prize source
  5. FundBusan Asian Cinema Fund, Post-Production Fund (in kind) source

Mouly Surya

Indonesia

Marlina the Murderer in Four Acts

2017

Directors' Fortnight, Cannes 2017.

  1. MarketBusan Asian Project Market · for Marlina · 2015 source
  2. MarketCannes Cinéfondation L'Atelier · for Marlina · 2016 source
  3. FundCNC Aide aux cinémas du monde · for Marlina · 2016 source
  4. FundPurin Pictures (its first supported film) · for Marlina source
  5. LabTalents Tokyo (alumna) source

Anocha Suwichakornpong

Thailand

Mundane History

2009

Mundane History won the Tiger Award at IFFR 2010.

  1. PrizePrince Claus Fund Film Grant at IFFR CineMart · for By the Time It Gets Dark · 2010 · €15,000 source
  2. FundDoha Film Institute (Fall Grant 2013) · for By the Time It Gets Dark · 2013 source
  3. FundHubert Bals Fund (IFFR) source
  4. FundHubert Bals Fund, script and project development · for By the Time It Gets Dark source
  5. FundThailand's Ministry of Culture · for By the Time It Gets Dark source

Kamila Andini

Indonesia

The Seen and Unseen

2017

Generation Kplus Grand Prix, Berlinale 2018. Yuni won TIFF's Platform Prize in 2021.

  1. FundHubert Bals Fund (IFFR) source
  2. FundAPSA Children's Film Fund source
  3. FundDoha Film Institute source
  4. ResidencyCannes Cinéfondation Résidence source

Apichatpong Weerasethakul

Thailand

Uncle Boonmee Who Can Recall His Past Lives

2010

Palme d'Or, Cannes 2010.

  1. FundHubert Bals Fund (IFFR) · for Uncle Boonmee · 2008 source
  2. FundWorld Cinema Fund (Berlinale) · for Uncle Boonmee source
  3. FundFonds Sud Cinéma (CNC and French Ministry of Foreign Affairs) · for Uncle Boonmee source
  4. BroadcasterZDF/Arte · for Uncle Boonmee source

Min Bahadur Bham

Nepal

Shambhala

2024

Kalo Pothi won at Venice Critics' Week 2015; Shambhala was Nepal's first Berlinale competition film.

  1. FundWorld Cinema Fund (Berlinale) · for Kalo Pothi (The Black Hen) · 2014 · €30,000 source
  2. FundBusan Asian Cinema Fund, Script Development · for Shambhala (then A Year of Cold) · 2017 · up to US$10,000 source
  3. FundDoha Film Institute source

Rubaiyat Hossain

Bangladesh

Made in Bangladesh

2019

Premiered at TIFF 2019; a Bangladesh, France, Denmark and Portugal co-production.

  1. MarketHong Kong-Asia Film Financing Forum (HAF) · 2017 source
  2. LabTorino Film Lab source
  3. Co-productionEuropean co-producers (France, Denmark, Portugal) source

Asghar Farhadi

Iran

A Separation

2011

Golden Bear 2011 and the Oscar for Best Foreign Language Film. Made without Iranian state funding.

  1. FundAPSA Academy Film Fund (Motion Picture Association and Asia Pacific Screen Academy) · US$25,000 source
  2. TrainingIranian Young Cinema Society (early short films) source
  3. SalesMemento Films International (sales) source

Saim Sadiq

Pakistan

Joyland

2022

Jury Prize and Queer Palm in Un Certain Regard, Cannes 2022. Took almost seven years to finance.

  1. Private moneyPrivate US investors (no public fund) source
  2. PrizeBaumi Script Award · for Little Men (next film) source

Abdullah Mohammad Saad

Bangladesh

Rehana Maryam Noor

2021

First Bangladeshi film in Un Certain Regard, Cannes 2021.

  1. FundDoha Film Institute, post-production grant · 2020 source
  2. Private moneyPrivate equity in Bangladesh, after public bids failed source

Phuttiphong Aroonpheng

Thailand

Manta Ray

2018

Best Film in Venice Orizzonti 2018, a first for Thailand.

  1. FundBusan Asian Cinema Fund, Script Development · for Manta Ray (then Departure Day) · 2010 source
  2. FundPurin Pictures source

Bi Gan

China

Kaili Blues

2015

Kaili Blues was made for about 1 million yuan, financed largely by a university teacher. It won at Locarno and Nantes.

  1. FundDoha Film Institute, post-production grant · for Long Day's Journey Into Night · 2018 source
  2. Private moneyA private backer (a university teacher) source

Anthony Chen

Singapore

Ilo Ilo

2013

Caméra d'Or, Cannes 2013: the first Singaporean film awarded at Cannes.

  1. FundSingapore Film Commission New Feature Film Fund source
  2. SchoolNgee Ann Polytechnic source

Pham Thien An

Vietnam

Inside the Yellow Cocoon Shell

2023

Caméra d'Or, Cannes 2023.

  1. FundSingapore IMDA Southeast Asia Co-Production Grant source

Davy Chou

Cambodia / France

Return to Seoul

2022

Diamond Island won at Cannes Critics' Week 2016; Return to Seoul was in Un Certain Regard 2022.

  1. FundDoha Film Institute source

Nadine Labaki

Lebanon

Caramel

2007

Caramel premiered in Directors' Fortnight 2007; Capernaum won the Cannes Jury Prize in 2018.

  1. ResidencyCannes Cinéfondation Résidence · 2004 source

Jia Zhangke

China

Platform

2000

Platform competed at Venice 2000; Still Life won the Golden Lion in 2006.

  1. MarketPusan Promotion Plan (Busan) and Hubert Bals Fund award · 1998 source

Gathered from public sources: festival and fund pages, trade press and interviews. Each line links to where we found it. These lists are not complete, and some support (private money, broadcasters) is rarely published. Spotted a gap or a mistake? Tell us and we'll fix it.

Sketchbook Storyteller

Made for filmmakers who are just starting out, and the ones who never stop. We read official festival and fund websites and only show confirmed dates. Always check the organiser's rules before you apply. Pricing · For industry: the Reading Room · Photo credits · Add or correct a festival

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